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Abstract/Syllabus:
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Green, Joshua, 21L.715 Media in Cultural Context, Spring 2007. (Massachusetts Institute of Technology: MIT OpenCourseWare), http://ocw.mit.edu (Accessed 09 Jul, 2010). License: Creative Commons BY-NC-SA
Television left out on the prairie. (Image courtesy of autowitch.)
Course Description
This course explores the international trade in television text, considering at the ways in which 'foreign' programs find places within 'domestic' schedules. Looking at the life television texts maintain outside of their home market, this course examines questions of globalization and national cultures of production and reception. Students will be introduced to a range of positions about the nature of international textual trade, including economic arguments about the structuring of international markets and ethnographic studies about the role imported content plays in the formation of hybrid national identities. Students will be encouraged to consider the role American content is made to play in non-American markets.
Recommended Citation
For any use or distribution of these materials, please cite as follows:
Joshua Green, course materials for 21L.715/CMS.871 Media in Cultural Context, Spring 2007. MIT OpenCourseWare (http://ocw.mit.edu/), Massachusetts Institute of Technology. Downloaded on [DD Month YYYY].
Syllabus
Course Description
This course explores the international trade in television text, considering at the ways in which 'foreign' programs find places within 'domestic' schedules. Looking at the life television texts maintain outside of their home market, this course examines questions of globalization and national cultures of production and reception. Students will be introduced to a range of positions about the nature of international textual trade, including economic arguments about the structuring of international markets and ethnographic studies about the role imported content plays in the formation of hybrid national identities. Students will be encouraged to consider the role American content is made to play in non-American markets. This course looks at the specificities of local broadcasting environments and examines representational and rational politics in a globalised world. Issues include:
- The economics of television production in the USA and internationally
- Theories of international cultural exchange and the circulation of narratives and texts internationally
- The rise of format trading, the creativity of translation, and the international circulation of light entertainment
- Questions of local, national, international and global identity formation
- Domestic content regulation strategies
- Responses to cultural imports
- Ideas of cultural and media imperialism
- Notions of cultural discount and the economics of production industries
- Theories of cultural translation
- Notions of 'mythic' or universal texts
- Strategies of domestic uptake by audiences and broadcasters
- Specific trade flows within cultural-geographic and language regions (such as diasporic media use)
Course Objectives
The course is designed to provide students with a set of research skills that will equip them to draw together information from a variety of sources to examine cultural phenomenon. It requires students to move between cultural and media studies discourse and business discourse, encouraging students to consider topics from a variety of perspectives. An emphasis is placed on gathering a variety of resources, critiquing the value of information sources, and moving between multiple types of texts.
Requirements
21L.715 is a HASS-CI-M (Humanities, Arts, and Social Sciences Communication Intensive-Major) subject. In this class, CI requirements will be satisfied by:
- A minimum of 20 pages of final-draft quality writing, in 4 assignments
- One class-led discussion on the course materials readings
- Revision and resubmission of at least one writing assignment
Grading
Grading criteria.
REQUIREMENTS |
PERCENTAGES |
Program trade report |
20% |
Program trade analysis |
15% |
In-class discussion |
20% |
Annotated bibliography |
15% |
Discussion essay |
20% |
In-class participation |
10% |
Please see assignments for more detailed instructions for the written work.
In-Class Participation
Each student is required to source materials for the class for a particular week. The mechanics of this will be discussed in class. Smaller in-class written tasks will be undertaken in some weeks, and students are expected to complete all of these to complete the course.
Plagiarism
The Literature section has formulated this statement and policy for all plagiarism cases:
Plagiarism—use of another's intellectual work without acknowledgement—is a serious offense. It is the policy of the Literature Faculty that students who plagiarize will receive an F in the subject, and that the instructor will forward the case to the Committee on Discipline. Full acknowledgement for all information obtained from sources outside the classroom must be clearly stated in all written work submitted. All ideas, arguments, and direct phrasings taken from someone else's work must be identified and properly footnoted. Quotations from other sources must be clearly marked as distinct from the student's own work. For further guidance on the proper forms of attribution, consult the style guides available at the MIT Writing and Communication Center and the MIT Libraries Web site on Avoiding Plagiarism.
Recommended Citation
For any use or distribution of these materials, please cite as follows:
Joshua Green, course materials for 21L.715/CMS.871 Media in Cultural Context, Spring 2007. MIT OpenCourseWare (http://ocw.mit.edu/), Massachusetts Institute of Technology. Downloaded on [DD Month YYYY].
Calendar
Course calendar.
WEEK # |
TOPICS |
KEY DATES |
1 |
Course introduction |
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2 |
International television trading: Selling American 'culture'? |
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3 |
Economics of the trade in text |
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4 |
Local reception as response |
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5 |
Genre and 'transparency' - textual arguments for the trade in text |
Program trade report due two days after Ses #5 |
6 |
Scheduling international content |
Discussion essay due two days after Ses #6 |
7 |
Format trade |
Program trade analysis due one day after Ses #7 |
8 |
Taking texts elsewhere - translation, adaptation, and subtitling |
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9 |
International texts and transnational identities |
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10 |
Alternative trade routes: Diasporic media use |
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11 |
World markets 1 - Latin America and India |
In-class presentations |
12 |
World markets 2 - China, Egypt and the Arab World |
In-class presentations |
13 |
World Markets 3 - Britain, Canada and Australia |
In-class presentations |
14 |
Course review |
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Further Reading:
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Readings
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This section lists the required and recommended texts as well as readings by weekly session.
Required Texts
Havens, Timothy. Global Television Marketplace. London, UK: British Film Institute, 2006. ISBN: 9781844571048.
Sinclair, John, Elizabeth Jacka, and Stuart Cunningham, eds. New Patterns in Global Television: Peripheral Vision. New York, NY: Oxford University Press, 1996. ISBN: 9780198711223.
Tomlinson, John. Cultural Imperialism: A Critical Introduction. Baltimore, MD: Johns Hopkins University Press, 1991. ISBN: 9780801842504.
Recommended Texts
Readings will be taken from the following texts throughout the semester, but a complete reading of both is useful.
Moran, Albert. Copycat Television: Globalisation, Program Formats, and Cultural Identity. Luton, Bedfordshire, UK: University of Luton Press, 1998. ISBN: 9781860205378.
Olson, Scott Robert. Hollywood Planet: Global Media and the Competitive Advantage of Narrative Transparency. Mahwah, NJ: Erlbaum, 1999. ISBN: 9780805832303.
Allen, Robert Clyde, and Annette Hill, eds. The Television Studies Reader. New York, NY: Routledge, 2004. ISBN: 9780415283243.
Additional Note
The course requires students source some set material themselves, and successfully completing this task comprises a component of the class-participation grade for the semester.
Readings by Weekly Session
Course readings.
WEEK # |
TOPICS |
READINGS |
1 |
Course introduction |
(no readings) |
2 |
International television trading: Selling American 'culture'? |
Havens, Timothy. "Introduction: Studying Global Television Merchants," "The History of Global Television Sales," and "Selling Television Internationally." In Global Television Marketplace. London, UK: British Film Institute, 2006, pp. 1-65. ISBN: 9781844571048.
Tomlinson, John. "The Discourse of Cultural Imperialism." In Cultural Imperialism: A Critical Introduction. Baltimore, Maryland: The Johns Hopkins University Press, 1991, pp. 1-33. ISBN: 9780801842504.
Sinclair, John, Elizabeth Jacka, and Stuart Cunningham. "Peripheral Vision." In New Patterns in Global Television: Peripheral Vision. USA: Oxford University Press, 1996, pp. 1-32. ISBN: 9780198711223.
Appadurai, Arjun. "Disjuncture and Difference in the Global Cultural Economy." In Global Culture: Nationalism, Globalization and Modernity: The Theory, Culture and Society Special Issue. Edited by M. Featherstone. London, UK: Sage, 1990, pp. 295-310. ISBN: 9780803983229.
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3 |
Economics of the trade in text |
Hoskins, Colin, and Rolf Mirus. "Reasons for the U.S. Dominance of the International Trade in Television Programmes." Media, Culture and Society 10, no. 10 (1988): 499- 504.
Hoskins, Colin, Rolf Mirus, and William Rozeboom. "U.S. Television Programs in the International Market: Unfair Pricing?" Journal of Communication 39, no. 2 (1989): 55-75.
Rozeboom, William, Colin Hoskins, Stuart McFadyen, and Adam Finn. "Export Pricing of Television Programmes." In Global Television and Film: An Introduction to the Economics of the Business. New York, NY: Oxford University Press, 1997, pp. 68-50. ISBN: 9780198711476.
Havens, Timothy. "Buying International Programming." In Global Television Marketplace. London, UK: British Film Institute, 2006, pp. 95-118. ISBN: 9781844571048.
|
4 |
Local reception as response |
Tomlinson, John. "Media Imperialism," and "Cultural Imperialism and the Discourse of Nationality." In Cultural Imperialism: A Critical Introduction. London, UK: British Film Institute, 2006, pp. 34-101. ISBN: 9780801842504.
Liebes, Tamar, and Elihu Katz. "Mutual Aid in the Decoding of Dallas." In The Export of Meaning: Cross-Cultural Readings of Dallas. New York, NY: Oxford University Press, 1990, pp. 82-99. ISBN: 9780195054873.
Miller, Daniel. "The Consumption of Soap Opera: The Young and the Restless and Mass Consumption in Trinidad." In To Be Continued…Soap Operas Around the World. Edited by Robert Clyde Allen. New York, NY: Routledge, 1995, pp. 213-33. ISBN: 9780415110075.
Cunningham, Stuart, and Elizabeth Jacka. "Neighbourly Relations? Cross-Cultural Reception Analysis and Australian Soaps in Britain." Cultural Studies 8, no. 3 (1994): 509-526.
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5 |
Genre and 'transparency' - textual arguments for the trade in text |
Olson, Scott Robert. "Hollywood Planet: Global Media and the Competitive Advantage of Narrative Transparency." In The Television Studies Reader. pp. 111-129.
———. "The Transparent Text." In Hollywood Planet: Global Media and the Competitive Advantage of Narrative Transparency. Mahwah, NJ: Erlbaum, 1999, pp. 87-113. ISBN: 9780805832303.
Green, Joshua. "Narrative Transparency and the Form of Teen Drama." In Acts of Translation: Young People, American Teen Dramas, and Australian Television 1992-2004. Doctoral Thesis, Queensland University of Technology, 2005, pp. 88-147.
Recommended Reading
Olson, Scott Robert. "The Transparent and the Opaque." In Hollywood Planet: Global Media and the Competitive Advantage of Narrative Transparency. Mahwah, NJ: Erlbaum, 1999, pp. 134-161. ISBN: 9780805832303.
|
6 |
Scheduling international content |
Havens, Timothy. "Scheduling International Television Imports." In Global Television Marketplace. London, UK: British Film Institute, 2006, pp. 119-156. ISBN: 9781844571048.
Ellis, John. "Scheduling: The Last Creative Act in Television?" Media, Culture and Society 22, no. 1 (2000): 25-38.
Green, Joshua. "Network Ten and the Creation of a Youth Broadcaster." In Acts of Translation: Young People, American Teen Dramas, and Australian Television 1992-2004. Doctoral Thesis, Queensland University of Technology, 2005, pp. 148-212.
|
7 |
Format trade |
Waisbord, S. "McTV: Understanding the Global Popularity of Television Formats." Television and New Media 5, no. 4 (2004): 359-383; available from MIT Library.
Moran, A. "Program Adaptations and Cultural Identity." In Copycat Television: Globalisation, Program Formats, and Cultural Identity. Luton, Bedfordshire, UK: University of Luton Press, 1998, pp. 75-144.
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8 |
Taking texts elsewhere - translation, adaptation, and subtitling |
Ferrari, Chiara. "The Nanny in Italy: Language, Nationalism and Cultural Identity." Global Media Journal 3, no. 4 (Spring 2004).
Kilborn, Richard. "Speak My Language." Media, Culture and Society 15, no. 4 (1993): 641-660.
Research Exercise
Find scholarly work discussing the American adaptation of The Office.
|
9 |
International texts and transnational identities |
Wark, McKenzie. "Vector." In Virtual Geography: Living with Global Media Events. Bloomington, IN: Indiana University Press, 1994, pp. 3-28. ISBN: 9780253208941.
Gillespie, Marie. "Local Uses of Media: Negotiating Culture and Identity." In Television, Ethnicity and Cultural Change. New York, NY: Routledge, 1995, pp. 76-108. ISBN: 9780415096751.
Sparks, Colin. "The Global, the Local and the Public Sphere." In The Television Studies Reader. pp. 139-150.
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10 |
Alternative trade routes: Diasporic media use |
Sinclair, John, and Stuart Cunningham. "Diasporas and the Media." In Floating Lives: The Media and Asian Diasporas. Edited by John Sinclair and Stuart Cunningham. Lanham, MD: Rowman & Littlefield, 2001, pp. 1-34. ISBN: 9780742511361.
Cunningham, Stuart, and Tina Nguyen. "Popular Media of the Vietnamese Diaspora." In Floating Lives: The Media and Asian Diasporas. Edited by John Sinclair and Stuart Cunningham. Lanham, MD: Rowman & Littlefield, 2001, pp. 91-135. ISBN: 9780742511361.
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11 |
World markets 1 - Latin America and India |
Sinclair, John. "Mexico, Brazil and the Latin World." In New Patterns in Global Television: Peripheral Vision. pp. 33-68.
Ray, Manas, and Elizabeth Jacka. "Part II: Indian Television: An Emerging Regional Force." In New Patterns in Global Television: Peripheral Vision. pp. 83-100.
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12 |
World markets 2 - China, Egypt and the Arab World |
Chan, Joseph Man. "Television in Greater China: Structure, Exports, and Market Formation." In New Patterns in Global Television: Peripheral Vision. pp. 126-161.
Hong, Junhao. "Television Program Importation Since the Reform of the 1980s." In The Internationalization of Television in China: The Evolution of Ideology, Society, and Media Since the Reform. Wesport, CT: Praeger, 1998, pp. 57-76. ISBN: 9780275959982.
Amin, H. "Egypt and the Arab World in the Satellite Age" In Sinclair, J, E. Jacka, and S. Cunningham. New Patterns in Global Television: Peripheral Vision. USA: Oxford University Press, 1996, pp. 101-125. ISBN: 9780198711223.
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13 |
World markets 3 - Britain, Canada and Australia |
O'Regan, Tom. "The International Circulation of British Television." In British Television: A Reader. Edited by C. Brundson and J. Caughie. New York, NY: Oxford University Press, 2000, pp. 303-322. ISBN: 9780198742654.
Attallah, Paul. "Canadian Television Exports: Into the Mainstream." In New Patterns in Global Television: Peripheral Vision. pp. 161-191.
Cunninham, Stuart, and Elizabeth Jacka. "Australian Television in World Markets." In New Patterns in Global Television: Peripheral Vision. pp. 192-228.
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Course review |
(no readings) |
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