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 Anthropology of the Middle East  posted by  duggu   on 12/5/2007  Add Courseware to favorites Add To Favorites  
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Abstract/Syllabus:

Slyomovics, Susan, 21A.453 Anthropology of the Middle East, Spring 2004. (Massachusetts Institute of Technology: MIT OpenCourseWare), http://ocw.mit.edu  (Accessed 07 Jul, 2010). License: Creative Commons BY-NC-SA

Abla, an epic heroine. 20th century folk art.

Abla, an epic heroine. 20th century folk art - painting under glass, Tunis, Tunisia. (Image by Prof. Susan Slyomovics.)

Course Highlights

This course features a documentary by Prof. Slyomovics, as well as a wealth of photographs and folk art, in the study materials section.

Course Description

This course examines traditional performances of the Arabic-speaking populations of the Middle East and North Africa. Starting with the history of the ways in which the West has discovered, translated and written about the Orient, we will consider how power and politics play roles in the production of culture, narrative and performance. This approach assumes that performance, verbal art, and oral literature lend themselves to spontaneous adaptation and to oblique expression of ideas and opinions whose utterance would otherwise be censorable or disruptive. In particular we will be concerned with the way traditional performance practices are affected by and respond to the consequences of modernization.

Topics include oral epic performance, sacred narrative, Koranic chant performance, the folktale, solo performance, cultural production and resistance.

Special Features

  • Special feature video
  • Image gallery

Technical Requirements

QuickTime® Player software is required to view the .mov files found on this course site. RealOne™ Player software is required to run the .ram files found on this course site.

Syllabus

 

Times

Two sessions / week
1.5 hours / session

Instructor

Prof. Susan Slyomovics

Course Description

This course examines traditional performances of the Arabic-speaking populations of the Middle East and North Africa. Starting with the history of the ways in which the West has discovered, translated and written about the Orient, we will consider how power and politics play roles in the production of culture, narrative and performance. This approach assumes that performance, verbal art, and oral literature lend themselves to spontaneous adaptation and to oblique expression of ideas and opinions whose utterance would otherwise be censorable or disruptive. In particular we will be concerned with the way traditional performance practices are affected by and respond to the consequences of modernization.

Topics include oral epic performance, sacred narrative, Koranic chant performance, the folktale, solo performance, cultural production and resistance.

 

Calendar

 
week # Topics
1 Introduction
2 Orientalism
3 Performance: The Egyptian Dancing Girl
4 Popular and Folk Culture
5 The Performance of Folktale: "The Story of Solomon and Sheba" -- Christian, Muslim and Jewish texts
6 Performance and the Koran
7 Women and Poetic Performances
8 Wedding Song
9 Professional Entertainers: Solo Females
10 Professional Entertainers: Arab Oral Epic Performance
11 Islam in America: Parades and Mosques

 

 




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