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 History of Media and Technology  posted by  duggu   on 12/12/2007  Add Courseware to favorites Add To Favorites  
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Abstract/Syllabus:

Coleman, Beth, CMS.876 History of Media and Technology, Spring 2005. (Massachusetts Institute of Technology: MIT OpenCourseWare), http://ocw.mit.edu  (Accessed 09 Jul, 2010). License: Creative Commons BY-NC-SA

US World War II propaganda poster.

A US World War II propaganda poster. (Courtesy of Wikimedia Commons, image by US Office of War Information.)

Course Highlights

This course features a comprehensive reading list and assignments.

Course Description

History of Media and Technology addresses the mutually influential histories of communications media and technological development, focusing on the shift from analog to digital cultures that began mid-century and continues to the present. The approach the series takes to the study of media and technology is a multifaceted one that includes theoretical and philosophical works, histories canonical and minority, literature and art, as well as hands-on production issues toward the advancement of student projects and research papers. The topic for this term is Eternal War.

 

Syllabus

 
 

Course Description

History of Media and Technology addresses the mutually influential histories of communications media and technological development, focusing on the shift from analog to digital cultures that began mid-century and continues to the present. The approach the series takes to the study of media and technology is a multifaceted one that includes theoretical and philosophical works, histories canonical and minority, literature and art, as well as hands-on production issues toward the advancement of student projects and research papers. Each course in the series reflects a particular thematic in the history of media and technology.

Eternal War asks whether war has historically been a progressive factor in relation to the development of new technologies and media systems. It uses documents by contemporary war theorists and historians, novelists, and theorists of technology and warfare and engages various media including film, gaming and news.

Required Texts

Orwell, George. 1984. New York, NY: Signet classics. Reissue edition, May 1, 1990. ISBN: 0451524934.

Manuel, DeLanda. War in the Age of Intelligent Machines. New York, NY: Zone Books, December 26, 1991. ISBN: 0942299752.

All other course readings in CMS.876 course reader (Note: course reader is not available to OCW users).

Course Requirements

  • Regular class and lab attendance
  • Class participation, including one class presentation and bi-weekly reading responses (2-3 pages)
  • One mid-term abstract of final paper/project
  • One research 20-25 page paper or media project with accompanying explanation (5 pages)

Grading


activities percentages
Class Participation (Class Presentation) 20%
Written Assignments (Weekly Reading Responses) 30%
Final Paper or Projects 50%

Structure of Each Class

Class time will consist of discussion of assigned readings. There will be time in the beginning of each class for seminar participants to communicate new information on media, books, etc. germane to the subject of the seminar.

Lab

Lab time will be spent primarily on media such as film and television representation of the seminar subject. Lab time will also provide a more casual context for further discussion of issues raised in seminar.

Final Projects/Papers

One 20-25 page research paper or media project with accompanying explanation (5 pages). Seminar participants may work solo or with a group on the final projects. Due two days after session 12. (Media projects must be ready to be shown in class by one day before session 11; final edits or versions are due two days after session 12.)

Mid-term abstract or diagram of project with bibliography or media sources due in session 7. (Mid-term meeting regarding final projects is recommended.)

 

Calendar

 
 

The calendar below provides information on course's lecture (Lec) and lab (Lab) sessions.

SES # TOPICS
Lec 1 Introduction
Lab 1 Doctor Strangelove
Lec 2 Fictions of War, Philosophy of War, History of War
Lab 2 Ran

Air Force
Lec 3 WWII: Code Wars
Lab 3 Akira
Lab 4 Rumsfeld's War
Lec 5 The New War Machines

Guest Speaker: Owen Cote, Associate Director of Security Studies at MIT
Lab 5 Eternal War Research Topics: Discussion of Final Papers and Projects

Control Room
Lec 6 History of War Technologies/War Games
Lab 6 War Games
Lec 7 First-Person Shooters
Lab 7 The Fog of War
Lec 8 Virtuous War

Guest Speaker: James der Derian
Lab 8 Virtual War

After 9/11

Wag the Dog
Lec 9 Man Machines: Race and War

Guest Speakers: Director Reggie Hudlin and Comic Artist Kyle Baker, Birth of a Nation Comic Book Project
Lab 9 Birth of a Nation and Hearts of the World
Lec 10 21 Century War: The War in Iraq and the Branding of Terrorism
Lab 10 Battle of Algiers
Lec 11 Project Presentations
Lab 11 Project Presentations (cont.)
Lec 12 Project Presentations (cont.)
Lab 12 Project Presentations (cont.)



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